Call Board: Auditions for RENT at Emerald City Players

Author: dfilas  //  Category: Call Board

Emerald City Players will be holding auditions for RENT
Book, Music, and Lyrics by: Jonathan Larson
Performances: April 23rd - May 8th, 2010

Auditions: Sunday, February 21, 2010 - 7:00 PM
Monday, February 22, 2010 - 7:00 PM

Audition info

Auditions will include a cold read (not necessarily from the script) and
a music audition of 16-32 bars of a song in the pop/rock genre.
This may include something from a rock musical, but not a song from RENT.

An accompanist will be provided.

An ensemble of at least 8 (4 male/4 female) is needed. Those seeking
a spot should plan for a full audition, including a cold read.

Ages in the character descriptions are merely suggested.
Sorry, but no one under the age of 20 is needed for this production.
Age range will be 20s-40s.

Any questions? Contact kathysturm@emeraldcityplayers.org

Audtions are held at Emerald City Players which is located in Dublin, Ohio at 6799 Dublin Center Road in the Dublin Village Shopping, just off Sawmill Road near the AMC movie theater complex. To purchase tickets in advance, please visit www.emeraldcitypalyers.com.

Callboard: Auditions for Actors’ Theatre Generals

Author: dfilas  //  Category: Waiting in the Wings

Actors’ Theatre’ 2010 Summer Season
Saturday, March 6, 10:00am -5:00pm and Sunday, March 7, 12:00pm - 5:00pm at the German Village Meeting Haus, 588 S. Third St., Columbus, Ohio 43206.

Actors are asked to prepare two contrasting monologues (or read from a script), and bring a head shot and resume. Mikado actors will be auditioned on Saturday only; a pianist will be provided. Singers should prepare two G & S pieces (can be from the Mikado), one up tempo and one Ballad. Director will choose which they would like to hear.

2010 Summer Season
Treasure Island, Robert Lewis Stevenson (Ken Ludwig adaptation)
Thursday, May 27 - Sunday, June 27
Directed by John S. Kuhn

TBD
Thursday, July 1 - Sunday, August 1

Much Ado About Nothing, William Shakespeare
Thursday, August 5 - Sunday, September 5
Directed by John S. Kuhn

Five minute appointments can be made by calling Jeanne Earhart at the cottage, 614.444.6888. http://www.theactorstheatre.org/

Callboard: Auditions for Over the Tavern and Little Voices at LTOB

Author: dfilas  //  Category: Call Board

Auditions for Over the Tavern, by Tom Dudzick at Little Theatre Off Broadway
set for March 7 - 8, 2010 at Little Theater Off Broadway 3891 Broadway Grove City, OH 43123

In that most idealized period of 20th-century America, the Eisenhower years of the 1950s, the Pazinski family has a lot going on in their cramped Buffalo apartment. The youngest of the bunch, 12-year-old Rudy, is a smart, wise-cracking kid who’s starting to question family values and the Roman Catholic Church. When Rudy goes up against the ruler-wielding Sister Clarissa and announces that instead of being confirmed he’d rather shop around for a more “fun” religion, all hell breaks loose. A warm and hilarious look at family, growing up, and God.

PERFORMANCES: April 30 - May 22, 2010; Fr/Sa @ 8p; Su @ 3p

Call LTOB at (614)875-3919 to make reservations. Visit their Website: http://www.ltob.org/
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Auditions for Little Theatre Off Broadway’s Little Voices Off Broadway set for February 28, 2009 from 6:00-8:00pm at St. John’s Lutheran Church, 3220 Columbus St, Grove City, OH, 43123.

The Little Theatre Off Broadway in Grove City, Ohio is proud to announce open auditions for Voices Off Broadway, their Vocal Repertoire group. The group is looking for singers in all vocal parts. The repertoire of the group is themed around Musical Theatre, with special emphasis on shows from LTOB’s history, as well as Broadway standards, and popular songs from major shows. Solos and Choral works are included. The group has an extensive library of songs to cover almost any event. In addition, the group is available for hire for private events, especially during the Holiday Season. The group represents LTOB at functions around Central Ohio, including past performances at the Columbus Arts Festival, the Columbus Clippers, Kinsale Golf and Country Club, and Grove City’s Arts in the Alley, among others. In addition, VOB recently partnered with Pinnacle Golf Club in Grove City to create a new annual Christmas Production.

Persons wishing to audition should prepare a full song FROM THE MUSICAL THEATRE GENRE. An accompanist will be provided, as will a CD/Tape player for those persons with accompaniment tracks. Auditioning acapella is also permitted. The ability to read music is highly desired, but not required. Also, vocal range tests, and pitch matching will be part of the audition.

David M. Collins and John Bradford serve as Co-Directors of the group. For more information, please contact David Collins at voices@itob.org or at 614.428.0596

Callboard: Call for Directors at LTOB

Author: dfilas  //  Category: Call Board

Call for Directors’ Applications for 2010-2011 at Little Theatre Off Broadway

2010-2011 SEASON
(Auditions) (Show) (Performance Dates)
May 23-25, 2010 Move Over Mrs. Markham July 16 - Aug. 7, 2010
July 11-12, 2010 Pump Boys and Dinettes Sept. 10 - Oct. 2, 2010
Sept. 12-14, 2010 Misery Oct. 29 - Nov. 20, 2010
Nov. 14-16, 2010 Catch Me If You Can Jan. 7 - Jan. 29, 2011
Dec. 12-14, 2011 Music Man Mar. 4 - Mar. 26, 2011
March 13-15, 2011 One Flew Over the Cuckoo’s Nest April 29 - May 21, 2011

To be considered, please send to the Director Selection Committee, LTOB, P.O. Box 504, Grove City, Ohio 43123, Attn: Rosemary Cullison; a Letter of Intent, including which play(s) you would like to direct, any conflicts with the dates above, and resume of your past theatre experience. You may also email this information to Rosemary Cullison at rcullison@cwslaw.com. The Committee will be scheduling interviews to meet with all who apply in mid-February to early-March. The interviews will take approximately one hour. Announcements of directors will be made by the end of March.

If you know someone who might be interested in directing for LTOB, please forward this information to them.

The deadline for all letters/resumes is February 6, 2010.

Call Board: Auditions for A Thousand Clowns at Curtain Players

Author: dfilas  //  Category: Call Board

Curtain Players announces auditions on February 7 and 8.

A Thousand Clowns
by Herb Gardner
Directed by Michael Fusco
Comedy

The action of the play, set in New York’s Upper West Side in 1962, centers on the very loving, though unorthodox relationship between Murray Burns, a non-conformist and willfully unemployed television writer, and his precocious, wise-beyond-his-years nephew, Nick, whom Murray’s Bohemian sister simply left in Murray’s care 7 years before. Unfortunately, they are about to be visited by a team of very uptight social workers, Albert Amundson and Sandra Markowitz whose mission it is to determine whether permitting Nick to remain in Murray’s care living in the indoor junkyard that is their apartment is in Nick’s best interest. In the process Murray ends up helping Albert and Sandra deal with their problems while coming to grips with his own.

CAST BREAKDOWN
Cast of six: 4 men, 1 woman, 1 teen/boy (to play 12 years old)

Murray Burns
An intelligent, witty writer in his early 40’s who wages a constant war against death by succumbing to conformity and the numbness of routine who is, at the same time, almost irresistibly beguiling.

Nick Burns
A super-intelligent, mature grown-up in the body of a short 12-year-old who often plays parent to Murray and worries that Murray’s unwillingness to face reality imperils their future together.

Albert Amundson
A 30-something, well-meaning but rigid social case worker, sadly self-aware of his shortcomings as a human.

Sondra Markowitz
A 27-year-old (who initially dresses and acts like she’s 40) desperate for love and excitement in her life, who discovers and embraces her inner romantic.

Arnold Burns
Murray’s older brother (late 40’s-early 50’s) and a successful theatrical agent who has come to terms with the life choices he has made.

Leo Herman
Alias “Chuckles the Chipmunk”. Age 42, is Murray’s neurotic, insecure and pathetically-untalented former boss who desperately wants Murray to come back to write his show. Ironically, he represents the solution to Murray and Nick’s problem.

Audition Details
Auditions which will consist of cold readings from the script are scheduled for 4:00 p.m. Sunday, February 7, and 7:00 p.m. Monday, February 8, 2010 at Curtain Players’ theater. The casting committee will probably ask those auditioning for the roles of Murray and Nick to sing a few lines from a simple, familiar song such as “Happy Birthday”). In the show, these characters strum ukuleles and sing “Yessir, That’s My Baby”. One need not be able to sing well and we can teach you the strumming.

Call Board: Auditions for High School Drama with On the Verge

Author: dfilas  //  Category: Call Board

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On The Verge Productions announces auditions for world-premiere production of High School Drama:

On The Verge Productions is seeking 1W (18-22) to play a hopeful and naive aspiring high school thespian, 1M (18-22) to play an arrogant and difficult aspiring high school thespian, and 1W (25-45) to play a woman struggling with the involvement of her husband in her high school theater program.

Auditions will be readings from the script. Monologues (contemporary, dramatic preferred) & head shots are not required, but encouraged. High School Drama is an original work – further information regarding the plot and characters will be provided at the audition.

1 – 3 pm Saturday, February 6th. Auditions take place at MadLab Theatre and Gallery, 105 North Grant Ave. Columbus.

Performance dates: March 25, 26, 27, April 2,3,9,10 at the Columbus Performing Arts Center

No appointment is necessary, but for more information contact onthevergeproductions@gmail.com or call 614.563.6313

Call Board: Call for Directors at Rosebriar

Author: dfilas  //  Category: Call Board

Rosebriar Shakespeare Company seeks directors for the upcoming season. All directorial positions include a modest stipend.

We are seeking experienced directors for the following productions:

Comedy of Errors

Performances run outdoors June 18-20; 25-26 in Groveport at the historic Log House.

July 8-10 in a Columbus venue TBA.

The show will also be featured at the Lancaster Festival near the end of July

Rehearsals begin in early May. Early rehearsals will be held in Columbus area, moving to Groveport as the production nears.

Winter’s Tale
January 7-9, January 14-15, 2011, in Groveport at the Main Street Cruiser Theater, a traditional formal proscenium.
January 21-23 in a Columbus venue TBA.
Rehearsals begin in early November. Early rehearsals will be held in Columbus area, moving to Groveport at the production nears. Rehearsals will break for Thanksgiving and during Christmas week.

Interested parties should email a resume outlining relevant experience to Danielle Mari at artisticdirector@rosebriarshakespeare.org no later than February 15. At that point, we will schedule interviews with qualified candidates. Visit the Rosebriar Shakespeare Company website for more information

If you are not familiar with the shows, please review a copy of the script prior to the interviews. Please be prepared to provide a clear concept of the show that addresses Shakespeare’s language, casting concerns, the performance space, budgetary restrictions, and supports Rosebriar Shakespeare Company’s mission to “take the fear out of Shakespeare” by providing accessible productions for the community. Successful candidates may also bring to the interview resumes of potential production designers and crew.

Weesner’s Don’ts

Author: dfilas  //  Category: Pursued by a Bear

Theatre Vault introduces a new occasional series where we invite our reviewers to air out their theatrical pet peeves.  Of course, our knees are quaking a bit, as we expect to receive a bit of hate mail… But that’s the way we roll, living on the edge!
__________

by Robert Weesner

Many good things happened in Columbus community theatre in 2009. There is a breathtaking amount of talent out there. Often the only differences between professional and non-professional theatre are those nuances we tend to rationalize as “that’s just the way it is.”

Sorry, I don’t buy that. “Just the way it is” is an excuse for lack of imagination in one area or another. And so, with the thought of building up rather than tearing down, we point out some of the consistent problems community theatres choose not to address whenever possible.

I saw three musicals this year. In two of them I watched people lacking in muscle tone and rhythm while they stomped around a stage in an homage to the Frankenstein monster. Sorry, that’s not dancing. Embarrassing is what it is, and one of the reasons many people label community theatre as “amateur.”

Along the same line, dressing fat people in tight clothes does not make them look like dancers - it makes them look like fat people dressed in tight clothes.

The majority of shows I saw incorporated set changes that were more involved than the show they bridged. Please don’t do that. It takes time and nobody really cares.

I saw four plays this year that were written between a hundred and four hundred years ago. I suffered through a number of performers who had no idea what the meanings were behind the words they were speaking. Theatre managers, if you have any mercy for your audiences at all, give these people chloroform just before they perform. Better still, give it to us.

I saw one play this year where an episode of a television show had been performed as a stage play. The original script writers are now deceased. Rightly so.

I observed one community theatre that flatly turned down free publicity in the form of play reviews. This is sad on so many levels.
*****
For most of his career, Bob was employed as a television director, working for stations from Los Angeles to Columbus. During this same time period he wrote and directed plays for theatres all over the Midwest. For several years he was the drama critic for the Spectator newspaper chain and for channel 6 here in Columbus. Bob has won numerous awards, including two Emmy awards, A Freedom’s foundation award, and two recent awards from the National Writers Digest Playwriting Competition.

Review Roundup: O.G.’s Debut Udder Silliness with a Side of Moo-ving

Author: dfilas  //  Category: Review Roundup
L-R: Stuart (Justin Toomey), Cow (Peter Graybeal), Mindy (Bridgitte Teresa Kreuz)

L-R: Stuart (Justin Toomey), Cow (Peter Graybeal), Mindy (Bridgitte Teresa Kreuz)

by Danielle Filas

O.G. Productions debuts with the whimsically titled Cow Tipping and Other Love Stories, a collection of one acts performed at MadLab under a mission statement that simply reads, “Chaos is guaranteed.” The five short pieces range in flavor from goofy to sublime, showcasing uneven writing but extremely strong acting throughout.

John Kessler’s opening piece, “Cap’n Fashion,” is really nothing more than a silly sketch set in a clothing store inhabited by a pirate salesman (Kessler) who speaks in stereotypical arrghs and ayes while tormenting unsuspecting customers.  Director Amanda Bauer and her nine person cast seem to have as much (or more) fun playing the scene as the audience does watching it.  As an opener, though, it works to warm up the crowd for some of the evening’s more challenging and more successful pieces.

Next comes “An Afternoon While in the Easy Chair,” a dramatic one act that stars Jennifer Nitri as Pamela, the imaginary daughter whom Martin (Stephen Woosley) might have adopted, had life not gotten in the way.  Under Jason Sudy’s subtle direction, both actors tackle Scott Tobin’s two-person scene with refreshing simplicity.  The script itself explores a typically under-discussed situation with depth and simple honesty, all in less than eight minutes.  Elegantly written, the short seems fully realized and ultimately well-done.

Situating Stephen Woosley’s “To Russia With Love” between the two stronger pieces of the evening proves that O.G. knows a little something about how to set up a strong running order. This wobbly sketch features an all-female cast playing supposed WNBA stars stranded in a Russian airport.  Unfortunately, Woosley (who also directs) devolves his characters into unlikable and unbelievable caricatures: a floozy pregnant woman, the slutty beauty queen, a pushy hot head, the stuck up superstar, the crazy Iraqi vet, and an idiotic coach.  Picking on the WNBA (and on Iraqi vets, for that matter) seems a sad choice- especially given the league’s struggles for validation and even more especially given the NBA’s recent scandals.  Fortunately, the talented women make the low-brow scene (complete with a fart joke) somewhat watchable.

“Maybe Tomorrow” by Andy Batt serves as the evening’s finest actor vehicle, utilizing John Kessler as Wayne and Vicki Adronis as his sister Georgia.  The one act opens with an unstable Wayne considering suicide, a consideration that has become a part of the character’s everyday routine.  The severity of his mental illness intensifies when his estranged sister arrives wanting to discuss the suspicious circumstances of their parents’ death.  Amanda Bauer directs Kessler and Adronis through their paces in this ultimately gut-wrenching scene, ably drawing a surreal world with a surprising and creepy ending that leaves the audience absolutely silent as the lights fade.

The evening’s titular piece, “Cow Tipping,” features the mercurial Bridgitte Teresa Kreuz playing Mindy, a nervous former mental patient anxiously meeting her ex whom she dated while hospitalized.  Justin Toomey plays the charmingly over-medicated Stuart who has asked to meet Mindy in order to mend fences after their break-up, which involved some sort of incident with a baseball bat.  Over pizza and with the help of a cheery waitress (Becky Horseman), Mindy and Stuart navigate through their various disorders and neuroses toward a genuine affection for each other- an affection that the audience roots to succeed in spite of a growing pile of stuffed cows (and a tuxedoed man-cow played by Peter Graybeal) that threatens to scare Mindy away from her shot at love. Amanda Bauer and Stephen Woosley wrote and directed this droll one act that ends the evening on a warm and quirky note.

Augmenting the scene work and definitely worth mentioning, emcee Travis Hoewischer provides witty and self-deprecating banter, vamping as the actors hustle behind him to complete scene changes to the simple set.  His easy, personable style of introducing the works adds a great deal to the overall tone of the evening.  Cow Tipping and Other Love Stories delivers about forty minutes of quality theatre in just over one hour.  The production runs through January 30, Fridays and Saturdays at MadLab Theatre and Gallery, 105 N. Grant Ave., Columbus. Tickets cost $10. For more information, see the listing in the Columbus Theatre Calendar, visit MadLab’s website, or call and reserve tickets at 614-221-5418.

*****

Danielle Filas serves as a contributing editor to Theatre Vault. She recently moved from Chicago and holds Theatre degrees from Northwestern University and Knox College. You can visit her personal blog by clicking here.

Waiting in the Wings: TAPA Offers Free Workshop for Children and Parents

Author: dfilas  //  Category: Waiting in the Wings

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Saturday, January 23, 10:00AM-12:00Noon*
*FREE theatre workshop preview class for children and their parents*
Wesley Glen Retirement Community – Ravine Room, lower level
5155 North High Street
Columbus, OH 43214-1592

http://www.facebook.com/TheAcademyofPerformingArts?v=app_4949752878&ref=nf